(bright music) (woman screams) (frantic music) (siren wailing) (woman laughing) >> Have another go, sir?

>> Teddy: No thanks.

>> I enjoyed it.

Oh Teddy, let's go through again.

>> No, no, no, you'll make yourself ill.

Besides, you've been around three times already.

We'll have our teas now.

>> The usual place, dear?

>> The usual place.

(bright orchestral music) (soft upbeat music) (people chattering) You still set on going home tomorrow?

>> Yes, Teddy, we must.

>> Well, it's a pity.

That go of flu pulled you down a lot, you know?

>> Yes dear, but it's done me good being here.

>> It's a set tea today.

>> Blimey.

Now then, who's going to be mother?

>> You, Teddy.

>> Well, that'll be a surprise.

Now then, what do nice people have at tea time?

>> Monica: Tea?

>> And what do sensible people put in it?

>> Monica: Oh Teddy, you spoil me.

>> You're worth spoiling.

There we are.

>> Spoon, Teddy.

>> Oh, I'm sorry.

>> Monica: It's all right, dear.

Takes a big man to let an old woman teach him good manners.

>> Who are you calling old?

I wouldn't change you for 50 younger ones.

>> It's been such a wonderful year.

And coming back here again has reminded me of so much.

>> Teddy: We've got a lot of memories here, haven't we?

>> It's been our second honeymoon, Teddy Bear.

Our second honeymoon.

(dramatic music) Well, here we are, safe and sound.

>> That's Phillip's car, isn't it?

>> Yes, dear.

>> What does he want here?

>> Hello, Emmie.

>> Looking better, ma'am, aren't you?

>> Just a little tired.

>> She's tired after the journey, Emmie.

I should take her indoors and look after her.

I'll put the car away, Monny.

>> Monica: Oh yes, thank you dear.

>> Good afternoon, Mrs. Bare.

>> Ah, Phillip.

>> And there's your chair waiting for you, ma'am.

So just to sit back and rest yourself and I'll bring you a nice cup of tea.

>> All right, toddle, Emmie, toddle.

Good to be home again.

Well, Phillip, you got my letter?

>> Yes, I did.

With all respect, Mrs. Bare, I don't feel happy about it.

>> When I instruct my lawyer, Philip, it's because I want him to carry out my wishes.

>> Why must you make another will?

The one you made just after your marriage seems more than fair to me.

Your husband gets this house and your money goes back where it belongs, back to the family.

>> Back to my sister, you mean?

>> Who else?

She's your only relative.

>> I haven't seen Dora for 20 years.

She's a wealthy woman now.

Her husband left her an enormous fortune.

No, this little go of influenza worried me.

If anything happened.

And I am a good bit older than Teddy, I must know that he gets all my money.

He's entitled to it.

>> I feel bound to remind you, Mrs. Bare, that your money came from a family business.

Don't you think it should stay in the family?

>> Teddy's my family.

All the family I've got.

>> Mrs. Bare, has Edward been pressing you to make this will?

>> Indeed he hasn't.

Teddy doesn't even know about the first will.

I never told him.

You're always very unfair to Teddy, Phillip.

>> Phillip: I always thought your marriage to Edward was a mistake.

>> Oh, hello Phillip.

>> Good afternoon, Edward.

>> Look, got a surprise for you.

>> Oh, pieces for my patchwork quilt!

You clever boy.

>> Brought you something else too.

How are you Monny, now you're home, better?

>> Yes, but still very languid, Teddy, dear.

No energy.

>> Influenza pulls down the constitution, makes you feel very depressed.

>> I know how to kill my wife's depression, Philip.

Ah, princess of the teacups.

>> Where shall I put it, sir?

>> Put it there, Emmie.

Are you staying to tea?

>> Thank you.

But if you will excuse me, I must be on my way.

>> Now don't forget, Phillip.

I want it here tomorrow morning, ready to sign.

>> Yes, Mrs. Bare, I can see you've made your mind up.

I'll be up in the morning.

Don't bother to show me out, Edward, I can see you're tired.

>> What's the matter with him?

>> You ought to get up, dear, when visitors go.

>> Well, I can't stick him.

He was just as rude to notice.

What brought Phillip here anyway, hm?

Nosy (indistinct), was he?

>> That's a good match, Teddy.

You have an eye for color, haven't you dear?

>> Well, why did he come?

>> I asked him to call, dear.

I must make a will, Teddy.

>> A will, Monny?

>> I'm so pleased with my pieces.

>> Clever, Teddy Bear.

Always thinking of little ways to make me happy, aren't you dear?

Nothing's ever too much trouble.

>> Well, I look after Monny today and Monny looks after me tomorrow.

(birds chirping) >> Dear, isn't it nice to have them home again?

The house did seem so empty without Mr. And Mrs. Bare.

There you are Simon, go along, drink it up.

>> I won't have you making a will, Monny.

Now, certainly when we got married, there was no need.

If you outlive me, you have what I've got, if I outlive you, I what you've got.

That's the law.

>> It's Dora- >> She's no right to anything.

She's a rich, interfering busybody.

>> I told Phillip how I felt about Dora.

>> Listen, Monny, next of kin.

That's what you've gotta be.

It's simple.

Leave it like that, next of kin.

>> Got to take care of the Dora.

Keep the money in the family, said it over and over again.

>> Anyway, my ticker's wonky, I've told you before.

You'll be here long after I'm dead and gone, then you can leave it to a cat's home.

>> I got my way, Teddy.

I made Phillip see I meant what I said.

Must make a will, it's essential.

>> Listen, Monny, promise me you wouldn't make a will.

I'll phone young Phillip and tell him it's off, eh?

>> It's too late.

I can't, Teddy.

It's done.

Must look after my family, Teddy Bear.

All the family I've got.

Bringing it for me to sign tomorrow.

>> Sorry about that, Monny.

I'm sorry you did it.

Really, I am.

>> Coffee's in the drawing room, ma'am.

>> The coffee, Teddy.

That's right, dear, I do like good manners and you never forget yours, do you?

>> Well, I got a good teacher.

>> Don't forget yourself, dear.

Keep up with Monny.

>> I'll watch it.

>> Teddy, get out the magic carpet.

Let's go for a ride.

Keep Monny awake.

>> All right, Monny.

Where do you wanna go to tonight then, eh?

>> Japan.

Page 16.

>> Japan for the blossoms, eh?

>> Monica: Lovely blossoms in Japan.

>> Lovely blossoms.

>> Monica: Would you like to marry a geisha girl, Teddy?

>> I'm satisfied.

Monny, I'll tell you where we'll go tonight, Bermuda.

Look, there.

>> Bermuda.

Lovely.

>> Go on, Monny, drink up.

Don't disappoint the boy.

(suspenseful music) Finished your library book, Monny?

>> Huh?

>> Library book.

>> Didn't like it.

Silly.

>> But you'll need another one tonight, won't you?

>> Don't let's leave Bermuda.

It's sunny there.

>> Go to Bermuda another night, Monny.

>> Don't want to drag you up and down that hill again.

>> It's only half past seven now.

Library doesn't close 'til eight o'clock.

That's a quarter of an hour there, 10 minutes to choose your book, and a quarter of an hour home.

Home.

>> Home, Teddy.

(dramatic music) >> Oh, Emmie, Mrs. Bare's gonna have a nice little snooze.

>> Ah, that's good, sir.

That's what she needs.

>> Yes, if Mrs. Bare wants you, she'll ring her bell so don't you disturb her or I'll cut your tail off.

>> I won't disturb her, sir.

I shall be upstairs finishing the linen cupboard.

>> Just going down to the library, Emmie.

Shan't be about an hour.

Mrs. Bare all right?

>> Yes sir.

I won't go in unless I hear her bell.

(bird tweeting) >> Monny, are you cold dear?

>> Cold, yes I'm cold, Teddy, cold.

Teddy Bear, Teddy.

>> Yes, and you're tired too, aren't you?

Tired and cold.

Let's put on the fire, eh?

Come on.

Have a nice little warm.

(matches clattering) (bird tweeting) >> Solicitor: So you were the first to find her?

What did you see, Miss Evans?

>> Madam lying on the floor where she'd fallen.

She'd managed to turn on the fire, but it wasn't lit.

We found the matches spilled all over the fireplace, didn't we, sir?

>> Thank you, Miss Evans.

Now you've heard Dr. Walker's evidence and also his suggestion that the reason why Mrs. Bare fell- >> Because she was drugged, sir.

Well, she wasn't.

She may have liked her glass, but no more than that, sir.

I was the last to see her alive, sir.

She sat so peaceful, nodding in her chair.

>> Solicitor: Do you know of any reason why Mrs. Bare should take her own life?

>> No, sir.

Madam was younger than me.

She wouldn't have wanted to die, sir.

She was always so happy since she married Mr. Bare, sir.

>> Solicitor: Thank you, Miss Evans.

>> Come on, Emmie, come on.

>> Solicitor: I'm sure that all of us here are of the opinion that Mr. Bare has nothing with which the reproach himself.

Ladies and gentlemen of the jury, you have heard the evidence given by Dr. Walker and also Miss Evans... (shoes clacking) (kids chattering) >> You spoke very well, Emmie.

Remembered everything.

>> Oh yes, Mr. Bare went through it with me first, didn't ya, sir?

He didn't want me to be nervous and I wasn't.

Everybody was so kind.

>> Come along, Emmie, into the car.

>> What do you intend to do now, Edward?

>> I thought of going abroad, Rome, Paris, or Nice.

Interesting to see the world.

>> I expect you to think it's ended very satisfactorily?

>> Highly satisfactorily.

Very fair verdict, accidental death.

>> Of course you know Edward, there's a curious thing about a coroner's verdict.

>> What?

>> Phillip: Well it isn't final.

>> What does that mean?

>> Well, if further information comes to light, the case can be reopened.

(car roaring) (bell ringing) >> Hello, Phillip.

I didn't expect to see you again.

>> I was rather worried about our talk this morning so I thought I'd better clarify the position.

>> Oh, well, you mustn't worry.

We all have our little quarrels, and anytime I need a lawyer, I'll remember you.

>> Well, thank you, Edward.

But it's your own position I mean.

I think I ought to warn you that if you start traveling seriously, you might find funds a bit tight.

>> What do you mean?

>> Well, you see, it isn't as if you can touch the money yet.

>> Toddle, Emmie, toddle.

>> Phillip: Don't go, Emmie.

You're mentioned in the will, too.

>> Will?

Monny didn't make a will.

>> Sit down, Emmie.

>> Teddy: Oh go on, sit down.

Hear what he said.

>> It's perfectly simple, really.

Mrs. Bare left this house to Edward, but all her money is left in trust to her sister, Mrs. Macintosh.

You'll get it when she dies, and there's 200 pounds for you, Emmie.

>> 200 pounds?

>> When was it dated?

>> Mrs. Bare made it just after you were married, before you fuddled her mind with too much drink.

>> You'll get yourself had up for defamation of character if you're not careful.

Accusing me without proof.

>> Of course, there's the bungalow.

We put that in your name, didn't we?

>> Bungalow, a wooden shack?

Go on, toddle, Emmie, toddle.

Go and think about your good news.

It isn't every day you become an heiress.

Monny wanted to put me right, didn't she?

She wanted to scratch that one and make a new one.

>> That's right, Edward.

>> Oh, I'm sorry, Monny.

You poor old girl.

>> You make me sick.

>> I'll see you out, Phillip.

>> Don't bother.

>> Must get up when the visitors go.

Phillip.

>> Yeah?

>> That sister, Dora, where exactly does she live?

>> Kingston, Jamaica.

Too far, Edward.

(door thuds) >> Well, Emmie.

Now you got your 200 pounds, where you gonna go?

>> Go, sir?

>> When I let the house and move out.

>> Move out, sir?

What's gonna happen to me?

>> Oh, I don't know Emmie.

See, I can't afford to go on living here.

Mrs. Bare left me very badly off.

>> Oh, sir.

>> You can stay until you get another job.

>> Another job, sir?

Oh dear, I couldn't look for another place.

Not now, sir.

I'm not too old.

>> I wonder who'd have you, Emmie?

You're getting very slow.

>> Yes, still I get through the work just the same, sir.

>> Yeah, but I'm a poor man, Emmie.

You'll have to go home.

>> This is my home, sir.

>> But I can't afford servants.

>> But you could afford me, sir.

I don't want any wages.

>> Wait a minute, I wonder if Mrs. Bare meant that 200 pounds for wages.

>> Oh, yes, perhaps she did, sir.

She may have thought it'd be easier than you payin' me every week.

>> Emmie, I believe you've hit it.

Of course, if I thought she meant that, you could stay.

Did she ever mention it to you?

>> Well, I don't really remember, sir.

Perhaps she did.

>> She did.

Well, I'll take your word for it, Emmie.

You can stay.

>> Oh, thank you, sir.

It's not for me to say, sir, but why don't you go away for a bit?

>> Well, I'm gonna find what I'm looking for here, that's a dead cert.

All right, Polly.

You know what that means, don't you?

>> Yes sir.

>> Polly put the kettle on and you shall have a cup of tea that minute I can get it to boil, sir.

(melancholy music) >> Well, I slipped up that time, Monny.

You wanted to look after me.

I shall have think again.

One thing's certain now.

Somebody's got to pay my passage.

(bright music) (calm jazzy music) >> Check, sir?

>> No, not just now.

I'm waiting.

>> Have you ordered?

>> Just tea, please.

Seem to have the place to ourselves today.

>> Seem to?

>> I had to come in out of the sun.

My skin's sensitive, >> Yeah, me too.

Gives me a headache.

>> Pigmentation, my doctor says it's due to.

>> Seen you here before but today I thought you'd be swimming or something.

>> Not likely.

Salt water doesn't agree with my skin.

As a matter of fact, I don't know why I came here.

I hate the seaside, but I was bored and couldn't think of anything else to do.

>> That brought me here too.

>> Really?

Why not come over and be sociable.

We can hate it together.

>> All right.

After all, we almost know each other already, don't we?

I see you every morning at breakfast.

>> I've noticed you too.

Funny we haven't got talking before.

I generally make friends pretty easily.

>> Well, I don't like to intrude, you know, and I noticed your wedding ring.

>> Oh, that.

One of the spoils of war, me lad.

You don't want to take any notice of that.

As a matter of fact, I'm a widow.

>> Teddy: Oh, really?

>> Poor, Albert, buried him six months ago.

>> Teddy: I'm sorry.

What was the matter with him?

>> He was dead.

Nevermind me.

I'm always very humorous.

>> No, it wasn't that, it's just that I had a recent bereavement myself.

>> Freda: Oh really?

>> Yeah, my wife.

Very sudden.

>> Nevermind, best not to think about it.

(bright music) >> Would you care to dance?

>> Oh, all right.

How long are you staying down here, mister?

>> Bare, Edward Bare.

I didn't really know.

I can please myself.

>> Oh, nice.

Well, I can do the same, come to that.

They do you quite well at that little place, don't they?

>> Yeah, it's passable.

A few days.

>> Oh, my fingers itch sometimes when I'm sitting in that bar.

>> Have you been in that lounge yourself?

>> Started off as working barmaid, ended up marrying the governor and darn well running the place.

Of course I'm in private life, now.

>> Why'd you give it up?

>> Well, it was a big place and you need a man on a house that size, for the look of the thing, you know?

Anyway, I'd have enough.

>> I bet you got quite a good price for a business like that.

>> Not bad.

No need to go on working.

Why should I spoil my hands if I can keep them lily white, eh?

I know a better place than this place for dancing but lady can't very well go by herself.

>> You fond of dancing?

>> Depends how I'm dancing with.

>> All right, we'll find a better place.

I promise you.

(bright music) >> You know, I've enjoyed the last few days.

>> Have you?

>> Mm-hm, not looking forward to next week when I'm on my lonesome.

>> Aren't you going to Paris then?

>> Oh, I don't know.

Can't seem to make up me mind.

I wish I could find somewhere to settle down.

I'm sick of living in hotels.

Say, do you mind if we sit down?

My feet are killing me?

>> No.

(bright music) (people clapping) >> Of course I'm at a bit of a loose end myself.

My late wife was a great loss to me.

>> Well I can't say the same for my poor Albert.

Still mustn't grumble.

He cut up pretty nicely.

(romantic music) ♪ Leave me alone, you mustn't touch ♪ ♪ Leave me alone, I know too much ♪ ♪ While you stay around ♪ ♪ I'll just play around ♪ ♪ With love ♪ ♪ Leave me alone, I won't be true ♪ ♪ You should have known I'm not for you ♪ ♪ Though I'm your heart's desire ♪ ♪ Haven't you learned ♪ ♪ Children who play with fire ♪ ♪ Always get burned ♪ ♪ I'm so ♪ >> Oh, I never offered you a cigarette.

>> Oh, I don't smoke.

I've got good white teeth.

I want to keep them that way.

♪ But whatever you do ♪ ♪ Leave me alone ♪ ♪ Yes, whatever you do, leave me alone ♪ Shall we dance?

>> Freda: All right.

>> Mrs. Jeffries, you're a woman of the world.

I've got a problem with my mind, I'd like to ask your advice.

>> What's her name?

>> There's no her in this one.

Let's go out and talk.

>> Well, what is it?

>> Well, it's like this, Mrs. Jeffries.

I've got enough money to live on, more than enough, but I'm bored and I'm lonely.

>> Well, I could give you some advice, but you might not like it.

>> If the truth hurts, I can take it.

>> Look around, trundle up the aisle again.

>> Get married?

You're a fine one to give advice, Mrs. Jeffries.

Why don't you take a leaf out of your own book?

>> Well, to be perfectly honest, there have been several occasions where I very nearly have and then I found it was the moneybags they were after and not the old bag herself.

(Freda laughs) No, I wouldn't end up saying matrimony again.

Not unless I can find someone to put down pound for pound.

>> Of course, I had thought of letting my place and going abroad.

>> That's a good idea.

Let it furnished, then you can do what you like.

>> Nah, it's easier said than done, though.

You see, I wouldn't like a, well, a stranger clawing at my late wife's belongings.

Not necessarily like the look of her, of course.

>> Do you like the look of me?

>> Yes, you might make a very good tenant.

>> Of course I'd have to look the property over first.

See if I liked it.

>> Oh, get to know the place.

That could be arranged.

>> I never commit myself, Mr. Bare.

Not until both parties have signed on the dotted line.

♪ I'm someone you make her your own ♪ ♪ But whatever you do ♪ ♪ Leave me alone ♪ ♪ Yes, whatever you do ♪ ♪ Leave me alone ♪ (peaceful music) >> Here we are.

Welcome to Stoneleigh.

>> You done quite well for yourself, Mr. Bare.

>> Teddy: I mustn't grumble.

>> Freda: Still, could do with a lick of paint.

>> Well, it keeps the rain out.

>> Oh hello, Mr. Bare, I didn't expect you back 'til tomorrow.

>> Don't fuss, Emmie, don't fuss.

>> You said- >> This is the Emmie I've told you about.

>> Oh hello, Emmie.

It's big.

How many bedrooms you got?

>> Six and a couple of attics where she roosts.

I brought this lady to see the house.

Can we have a cup of tea?

>> Oh yes, yes.

>> Well then, go on, go on.

Show the lady where to put her coat.

>> Yes, this way, lady.

>> Freda: See you later.

>> Teddy: What are you doing?

>> I came to see Emmie, Edward.

I wanted to talk to her.

>> Emmie?

While I'm away?

What about, Phillip?

>> It takes a long time to clear up an estate, Edward.

There are still outstanding problems.

I think the answers to some of them are to been found in this house.

>> And what's Emmie got to do with it?

>> Well, Emmie's a very simple soul.

She's easily imposed upon, but someday she's going to say something.

Something that will lead to the truth.

>> The truth?

What are you trying to prove, Phillip?

>> Yes, you're flush with success now.

You're full of confidence.

But remember Edward, I'm watching you all the time.

>> Jury said it was accidental death.

>> You seem to know what I'm talking about.

>> This is my lawyer, Mr. Mortimer.

Mrs. Jeffries.

>> How do you do?

>> Oh, how do you do, Mrs. Jeffries?

>> Mrs. Jeffries and I were guests in the same hotel.

I just brought her up here to have a look around the house.

>> Oh, you've decided to let it then?

>> Well, I may do.

Well, Phil, you'll be wanting to get back to the office, won't you?

So we won't hold you any longer.

>> I forgot to tell you, sir.

Mr. Mortimer's here.

>> I'm just going, Emmie.

>> Oh, thank you, sir.

>> Oh, by the way, Emmie, I hear you opened a bank account and that you're drawing checks.

>> Oh yes sir.

Mr. Bare showed me how to do it.

>> What do you expect her to do with her money?

Keep it in a stocking under her bed?

>> Well, Mrs. Bare meant that money for your rainy day, Emmie.

>> When Emmie needs an umbrella, she's got me.

>> Very nice too.

I wish I had a brolly to keep the wet off me.

>> Teddy: All right, Emmie, Mr. Mortimer's read his little sermon.

Go on, toddle.

>> Quite the old fashioned girl, isn't she?

Comfy.

>> If you do decide to take this house, Mrs. Jeffries, may get we'll get rid of that gas fire.

>> Freda: Why?

>> I haven't been here since the day of the funeral, Edward.

Every time I look at that mat, I seem to see Mrs. Bare lying there.

>> What if?

>> You mustn't get morbid, Phillip.

I'm the one that's gotta live here with these ghosts.

>> What was she doing here?

>> She had an accident, with the gas fire.

>> I thought you said it was flu.

>> I said nothing of the sort.

I said she had flu just before.

>> Oh, was that it?

So we're sitting in the morgue really.

(Freda laughs) Oh, excuse my joke.

I always see the funny side.

Fancy.

>> I hope I haven't said anything to upset you, Mrs. Jeffries.

>> Oh no, my Albert dropped dead in the saloon bar one night, I was drawing beer the next.

Business has to go on, you know?

>> Well, I'm glad I haven't put you against the house, Mrs. Jeffries.

I wouldn't like to say anything to spoil any plans Edward has made.

>> Phillip's a great one to bring the truth out into the open.

He's trying to warn you that I'm the town's biggest fortune hunter.

>> Is he?

Why is he doing that?

>> Well, I suppose it's about time you knew, Mrs. Jeffries.

I married a rich woman, older than myself.

And what's more, we managed to confound all the local skeptics by being very happy and contented.

>> Very nice, too.

>> Nevermind, Phillip.

I can always trust you to keep an eye on my affairs.

You're so straightforward.

>> Yes, I'm always looking out for you, Edward.

>> Well see I don't trip up.

That's what I pay you for.

>> Well, goodbye Mrs. Jeffries.

>> Bye bye.

>> I'm in the telephone book if you should ever need me.

>> Ta, I'll remember that.

>> Oh, Phil, by the way, I've got some news for you.

You're not my lawyer any longer.

>> No, but I'm still Monny's.

(door thuds) >> Poor old, Phil.

He's gotta work for every bob he's got.

I expect he finds it demoralizing.

Oh, allow me.

>> Tea, lady.

>> Oh good.

Emmie, where's the little girl's room?

>> Beg pardon?

>> Left along the first landing, second door.

>> Thanks.

Simple, isn't she?

>> Well, Emmie, you know that lady being here today has brought a lot back to me.

>> I expect it has, sir.

>> Were you surprised when you saw her?

>> Well, sitting in Madam's chair, I was.

>> Mrs. Jeffries is a widow, Emmie.

Such a sad life she's had with her husband, too.

She thinks every man is a monster.

>> She ought to have seen you and the mistress, sir.

>> But that was the perfect union, Emmie.

I wish Mrs. Jeffries could know about that.

It might help her.

Well, I think I'll go pick her a rose.

>> A rose?

Ah, that's nice, sir.

>> Yeah.

>> You keep the place very well, Emmie.

Even the rooms not in use.

>> Oh, thank you, ma'am.

>> Tell me why is one of the doors locked?

>> Oh, that was their room, ma'am.

Mr. Bare locked it up and it's never been used since.

>> Oh, I see.

This place is too big for one man.

I expect it was different when Mrs. Bare alive.

More lively.

>> Oh yes.

He did everything for her.

No woman ever had a better husband and she was always the first to say so.

Didn't matter how much he spent.

>> Lucky to have the money to spend.

>> Emmie: Oh, the money all came from the shop.

>> Oh, tell me about the shop, Emmie?

>> Well, it had been in the family, you see?

And it grew and grew.

And then Mr. Bare sold it for her after they got married.

But it was such a lot of money.

Oh, they did have an evening.

Ever so cheerful.

I had a glass of port.

>> How much do they have to be cheerful about, Emmie?

>> Thousands and thousands of pounds.

Quite a little gold mine, they called it.

>> Well, Emmie, I can see you've been letting your tongue run away with you.

And I bet you forgot to tell Mrs. Jeffries where I've been.

>> Oh dear.

>> You'll lose your head one of these days, you really will.

Go on, Emmie, toddle, toddle.

>> She's been saying some very nice things about you, Mr. Bare.

>> Oh, well, she's very loyal.

I picked you a rose.

>> Oh, thanks.

>> Will you be mother?

>> All right.

>> Now then, sugar?

>> No thanks, I'm on a diet.

>> Oh really?

Why don't you stay at the ball down in the town for a bit.

>> Milk?

>> Oh, thanks.

After all, your time's your own.

>> Freda: That's true.

>> And then if you liked the place, you could move up here.

>> On what terms, Mr. Bare?

>> Any terms you like.

>> Pound for pound, Mr. Bare.

>> Pound for pound, Mrs. Jeffries.

>> All right.

>> Oh, I've got something to put in this tea.

>> Oh.

>> Teddy: What's the matter?

>> Oh, I felt suddenly cold.

Somebody walking over me grave, perhaps.

>> You needn't worry about that, Mrs. Jeffries.

They won't be burying you for a long time yet.

Not if you're a good girl.

(people laughing) Oh, you know my wife, don't you, Mrs. Churchworth and of course you met- (people chattering) >> What about a toast, Charlie?

>> Come on, Charlie boy!

>> Yeah, come on Charlie, you're the best man!

>> Silence for Charlie Mann!

>> Ladies and gentlemen, I didn't come here to talk, as Anthony said to Cleopatra when he went into her tent.

(people laughing) All right, all right, I'll cut it short.

All of us here today are friends of Teddy Bear and we all shared in his sorrow in the night Mrs. Bare so suddenly and so sadly passed on.

And so it's a real pleasure to see him here amongst us a happy man once more.

And by his side, that charming lady was introduced into our company and whom we welcome as his wife.

So friends, it's a real pleasure to give you Mr. and Mrs. Edward Bare, long may they thrive and prosper.

>> Guests: To Mr. and Mrs. Bare!

>> Very nice, Charlie.

>> This really is champagne.

Who paid for it, Eddie?

Not you, I suppose.

>> Well, no, think I'm right in saying that the bride or the bride's parents pay for the wedding.

>> Pound for pound, Mr. Bare.

>> Pound for pound.

I believe you've met your match, Teddy.

>> This stuff always makes me sick.

Can I have a beer?

>> Come on here, I'll get you one.

>> You certainly know how to land 'em, Teddy.

What bait do you use?

>> Charm, Charlie, just charm.

>> Your charm and my money.

>> Don't forget it was me that financed that little trip of yours to the seaside.

>> Don't worry, I'll get your money back.

>> I mean to.

You've landed your fish now, Teddy, but don't forget your put your Uncle Charlie that supplied the chips.

(guests chattering) (vacuum whooshing) >> Well, I'm glad to see you made friends with the vacuum.

Didn't blow up after all, eh?

>> No, ma'am.

>> By the way, Emmie, isn't about time I paid you some wages?

I've been here a month now.

>> Oh no, I've got my money in the bank.

Madam left me 200 pounds.

>> But that's nothing to do with me or Mr. Bare.

That's separate.

>> Oh no, Mr. Bare explained.

Madam left me my wages in a lump sum.

>> Oh, Emmie.

There's one born every minute.

Nevermind, I'll see you're not the loser.

Come on, I want you to open up this door.

>> Oh, Mr. Bare'd go raving mad.

It's only opened up once a week for me to dust.

>> From now on, Emmie, it isn't only what Mr. Bare wants.

Come on, open up.

>> I say.

>> Well, anyone would think it was Bluebeard's chamber.

Blimey, it is.

>> It hasn't been used since Madam passed on.

Mr. Bare liked it kept locked up.

>> All the same, it's silly to keep it shut up.

>> Mr. Bare won't like it, ma'am.

That's Madam the day she married Mr. Bare.

>> Oh, she had a kind of face.

Tell me, Emmie, how did she come to marry Mr. Bare?

>> Oh, well, you see, Mr. Bare was a clerk in Mr. Mann's estate agency.

He come up here when Madam thought of selling the business.

Took to him at once, Madam did.

>> Oh, he can certainly turn on the charm when he wants to.

What's in here?

Oh, well, we'll have to get rid of this lot.

No sense in giving the moths a feast.

>> What are you doing in here?

Get out, get out, both of you.

This is Monny's room.

I told you never to unlock this door, didn't I?

I told you.

>> Stop it, Ed.

It wasn't Emmie's fault.

It was mine.

Anyway, why shouldn't the room be unlocked?

>> Get out.

Get out, I said!

This is Monny's room.

I don't want anyone in here.

>> What a carry on.

All right, Ed, I'm sorry.

I didn't know it meant that much to you.

>> Go on, get out.

Never let me see you in that room again.

>> I told you.

>> You know, if he'd had any more wives, I'd have had to sleep in the bathroom.

Well, I didn't expect to see you.

>> Well, I was passing.

I thought I'd wait for you.

What have they done to you today?

>> Oh, the usual.

I was going blonde, and then I thought it might make me look common.

Here, shove over, I wanna drive.

(car roaring) >> I'm sorry I blew up this morning in Monny's room.

But I haven't been sleeping well lately.

I get this sort of shut in feeling.

Makes me irritable.

>> Freda: What you getting at, Ed?

>> Well, I don't want to disturb you again so I think I'll move into Monny's room.

Stay there for a night or two.

>> Now listen, Ed, I don't know what your arrangements were with Monny, but I didn't marry you for companionship.

>> Okay, Mrs. Bare.

I bought you a present.

>> Oh, crystallized fruits, lovely.

>> I seem to remember you saying you liked them.

>> Got all the tricks, haven't you, Ed?

Still, they're nice tricks.

>> Well, I can't be cross with you for long.

>> Well, I'm glad you came round.

Don't like the sulks.

(dramatic music) You know, it is a lovely view, Ed.

>> Mr. Bare, I'm gonna pick you a little nosegay, keep you happy.

>> Oh, thank you kindly, sir.

(birds chirping) (man whistling) >> Come on, come give us a hand.

>> Is it safe?

>> Of course it's safe.

Charlie Mann's onto a good thing, Freda.

>> Who for, Charlie Mann?

>> Oh, funny.

No, a piece of land by the cathedral.

Chap letting it go for 3000, but I can get it for two.

Be worth twice that amount in three years.

>> Why?

>> Gonna build a cinema on it.

>> Who said?

>> Charlie's got a cousin in the surveyor's department.

>> Well, you know your own business best, Ed, but I'd say your money was safer in the bank.

>> We can do it in your name, if you'd like.

Thought you'd like to hold the counters.

>> What sort of a fool do you take me for, Ed?

>> A very wise one, Mrs. Bare, who knows when she's onto a good thing.

>> You're right there.

I back my horses when they're past the post.

>> This one's better.

It's back home in the stable now.

>> Not 'til that cinema's built, it isn't.

And if you're so sure, why don't you write up your own check?

>> Anyway, I've asked Charlie Mann to come up and see you tonight.

I hope you're not gonna make a fool of me.

>> Well, then you better put him off.

>> I'm not gonna put him off, Mrs. Bare.

>> And I'm not gonna play, Ed.

>> You'll do as I say, Mrs. Bare.

>> You hit me Ed and I'll hit you back.

Tit for tat, pound for pound, remember?

I'm not making a present of 2000 quid to you or Charlie Mann or anybody else.

My money's my own.

It stays that way.

Get that into your head once and for all.

Oh Ed, if you could only see your face (laughs).

(car rumbling) Can we help?

>> That's very kind of you.

>> Ed, see what you can do.

>> All right.

>> My engine stalled and I can't get it started again.

>> That's all right.

My name's Bare, that's my wife.

We live just there.

>> I'm Charlotte Young.

Fell such a nuisance.

>> Oh, not at all.

I like tinkering about with cars.

>> You hop in the car.

I'll take you up the house while he's fixing it.

>> Oh, thank you.

(engine roaring) >> And they're making you quite comfortable at the Crown, Miss Young?

>> Yes, very so far.

>> Beds clean?

>> Quite, thank you.

>> Hot water hot?

>> I think so.

>> Looks a good house, the Crown, you can always tell, you know, by the brass outside and the curtains.

(horn beeps) Oh, it sounds as if Ed's got your car going.

(Teddy whistling) >> Car's perfect.

Car brake got tripped up, that's all.

>> Charlotte: Oh, is that it?

>> It's always something small.

No, don't go, don't go, sit down.

Have a drink.

Sherry?

>> Thank you.

Miss Young's looking for a house around here, Ed.

I told her you used to be in the estate business.

>> Oh yes, yes, that's right.

>> I'd say she dropped into the right place.

Got some addresses at Manor Meade?

>> Oh, Manor Meade.

That's a very posh district.

What sort of price are you thinking of?

>> 12,000, something like that.

>> Oh.

>> Of course they're converting a lot of these big houses into flats.

>> Oh, I don't want it for flats.

>> Oh, you're going to live in it?

>> Yes, I'm going to start a school, an equestrian school.

>> Eh?

>> Horses.

>> Oh.

>> I know a bit about horses.

>> Yes, quite the little jockey, aren't we, Ed?

>> I ran a riding school for some years, but I wasn't my own boss.

Then when my father died, I found myself, well, independent.

>> Very nice.

>> So I gave in my notice and went round the world.

>> Very nice, that's what I'd like to do.

I hope you don't think I'm taking a liberty, Miss Young, but what agent did you go to?

>> Charlotte: Wrassel and Port.

>> Oh, they're dead from the neck up, aren't they?

>> That's right, very old fashioned.

>> You oughta see my friend Charlie Mann, Miss Young.

>> Oh, should I?

>> Why don't you let Ed take you in to see Charlie, Miss Young?

>> Oh, I couldn't Mr. Bare.

>> Oh, it's no bother.

Me time's me own.

I'm retired.

>> Made his pile young.

Be doing him a kindness, really.

>> Charlotte: Are you sure?

>> Freda: Ms. Young's staying at the Crown, Ed.

>> All right, 10:30 tomorrow morning, take you up to Charlie Mann and pick up the lists.

>> Oh, thank you very much.

And for the drink too.

Sorry I have to go so soon.

>> I brought your car around to the side.

It's easier for you.

>> You must come again now you know your way.

After you, Miss.

Young.

(birds chirping) >> Oh my bag.

>> Oh, Miss Young's bag, Ed.

>> Oh, right.

There you are, there's your bag, Miss Young.

>> Oh, thank you.

>> All right.

>> Well goodbye, Mrs. Bare.

>> Goodbye, not for long, I hope.

(woman giggles) (car rumbling) Nice woman.

Pity she came too late.

>> What?

>> You heard.

>> Are you gonna see Charlie this afternoon, Mrs. Bare, about that piece of land?

>> I wouldn't entertain it.

>> Look, you- >> Listen, Ed!

A clever bird doesn't foul its own nest.

I don't mind helping you pluck the one that's just fallen into your lap, but my feathers are in tight and if anybody pulls them, I'll yell.

(suspenseful music) >> You wouldn't have liked this one, Monny.

She's crude.

>> It's a lovely house, but it's hopelessly wrong for me.

>> Yes, it's too big for you, Charlotte.

>> What's the matter with you today, Edward?

Something wrong?

>> Well, I'm afraid we've looked at our last house together.

>> Oh, Edward, why?

>> It's Mrs. Bare.

She's beginning to get jealous of you, Charlotte.

>> Well, I haven't noticed any change in her manner.

>> No, no you wouldn't.

But she's a very neurotic woman altogether.

She keeps on threatening to commit suicide.

I have to be very careful.

>> But she seems such a practical person.

>> Oh, I know, you'd think so but she talks about it so many times that sometimes I wish she would jump out a window.

>> Oh, Edward!

>> I didn't mean that, of course, but I've gotta talk to someone.

I mean, you can see my position.

My first wife dies in a fearful accident and my second commits suicide.

Lovely.

>> What a dreadful situation for both of you.

>> Yes, I know.

I can't leave her on her own now that I know what's in her mind.

I'm the only one there to keep an eye on her.

>> I'm sorry she feels this way about me.

>> Oh, it needn't worry you, Charlotte.

>> Well, I was just going to ask her if she'd put me up for a few days.

>> Stay with us, you mean?

>> Yes, the hotel can't keep my room next week, but, well, it doesn't matter now.

(car roaring) (birds chirping) >> There you are, safe and sound.

>> Thank you, Edward, you've been most kind.

>> It's all right.

Charlotte?

You know I've been thinking.

I don't see why you shouldn't come stay with us.

I mean, after all, the house is big enough.

Be a good thing for Mrs. Bare, really.

Let her see there's nothing in her little fancies.

>> Oh, do you really think so?

>> Well, we could ask her.

>> No, Edward, I'd rather not.

>> Now look here, Charlotte, I'm still boss in me own home.

Emmie!

Mrs. Bare back from the dressmakers yet?

>> No, sir.

She did say you were picking her up, sir.

>> I never said any such thing.

All right, Emmie.

See what I mean?

Every time I take you out, she thinks of a new story.

Charlotte, every time you come into this room, you go to the fireplace, you look straight at the fire.

>> Oh, I'm sure I don't.

>> Every blessed time.

Look at you now.

Why?

Because someone's told you about Monny?

>> Well, I won't pretend I haven't heard gossip up at the hotel.

>> Very dangerous, gossip.

What exactly have you been hearing?

>> They say you taught her to drink.

>> Why, so she could turn on the gas, collapse before she could light it?

Very clever crime, that.

Have to brains to think that one out.

>> The way you say it, Edward, you would.

No one could ever prove that you did it.

>> You know, if it wasn't disgusting it'd be laughable.

I'm surprised at you, Charlotte, listening to things like that.

>> Well, people know I come here, we've been seen together.

Edward, they even asked me about the gas fire and whether it's still here.

>> Freda got rid of that.

>> I suppose it fascinates them, the fire, the room, and everything.

>> Why exactly are they interested?

>> Well, I imagine it's the idea of you're going on living here in this room where your first wife died.

>> And my second pours the tea.

They don't understand me, Charlotte, but you do.

Monny's dead, I know.

But I've got a lot of very happy memories of her.

This is Monny's chair.

That one wanted to chuck it out but I said, no.

I come down in the dark sometimes, watch it.

Imagine her sitting there, talking to me.

>> Is she cross with you, Edward?

>> No, no.

She thinks I ought to have waited a bit longer, mourned her a bit.

But Monny understood me.

She knew I was born to have color in my life.

This is my magic carpet.

>> Picture postcards?

>> Been all around the world on these postcards, Monny and I.

Wasn't her wish that I'd get stuck with an album.

>> You'd do anything to get on that magic carpet, wouldn't you, Edward?

>> Would I, Charlotte?

>> It's a wonderful thing, to fly away and leave everything behind.

>> There's room for a passenger on this carpet.

>> I'd thought of that.

(door thuds) >> Ed?

Ed?

Where have you been?

I've been standing for hours on the corner in the heat and the dust.

My feet are killing me.

Well, I don't have to ask what you've been doing and I know who you've been with.

Morning, Miss Young, found your stable yet?

>> We did see a place, but Edward said it was too expensive.

>> Well, I'm glad he's being careful with somebody's money.

>> Charlotte was saying she's getting fed up, staying at hotels and being on her own all the time.

>> Oh?

>> Yes, I wish I could find rooms with a family.

Just until I get settled on a house, you know.

>> It's a good idea for you- >> Here, Ed, take this fish to Emmie.

It's your lunch, out.

You were saying, Miss Young?

>> That if I could find rooms in a house with some nice people, I'd pay very well.

>> I'm sure you would.

There must be some houses in the town with very nice people in 'em.

>> Oh, I'd be very little trouble.

You see I've been so lonely since I went out of harness.

>> Well, Miss Young, you better decide on one of your fancy houses and get your harness on again.

Your friend's just going, Ed?

>> Oh, not staying to lunch?

There's plenty of halibut.

>> She tells me in the future, Charlie Mann's gonna show her the properties himself.

>> Oh, well, I know where to find you, Charlotte, if I feel like morning coffee.

>> They lunch early at the Crown, Miss Young.

I know you won't want to miss yours.

Your bag.

This way, Miss Young.

>> Charlotte: Oh Mrs. Bare, I would- >> It's been nice knowing you, Miss Young, but even the best of friends must part, good morning.

Emmie!

Emmie!

How did Mr. Bare tell you to cook that fish?

>> He said grill it.

>> Fry it.

>> Now then, young Ed.

>> All right, don't blame me.

I didn't ask her to fancy me.

>> Well, if she does, she wants her brains examined.

Drop her, Ed.

You've been talked about enough in this town.

>> I don't want to drop her until she's bought that piece of land by the cathedral.

>> Well, what's in it for you if she does, Ed?

>> Charlie'll look after me.

>> Well, I'll tell you what we'll do.

We split the spending money.

You put down your check.

I'll put mine beside it.

>> I wouldn't mind putting down my check in the least, as long as it wasn't presented.

>> Do you mind explaining that remark, Ed?

>> I couldn't write a check for 10 pounds, let alone a thousand.

>> What do you mean?

>> You slipped up, Mrs. Beth.

You should have checked up at Somerset House (indistinct).

Your Albert did everything nice and simple.

I shan't cut up so well when I go.

>> Come on, out with it.

What did Monny leave you?

>> Not a sausage.

It all went to that sister Dora in Kingston, Jamaica.

All I got was this house and that shack on the beach, remember?

>> Lovely on a warm day.

>> Of course Monny gave me a check occasionally, but.

I spent my stocking catching you.

(Freda laughing) Well, Mrs. Bare I must say, you certainly can take it.

>> Well, it's either laugh or cry, Ed.

I was never one for tears.

I know why you've been making up to Charlotte Young.

She's a plumper bird than I am.

But I'm not having it, Ed.

You may not be much of a catch, but so help me, I love you.

>> We didn't expect that, did we?

>> You're not seeing that woman again.

>> Oh, don't be silly, Freda.

I'm bound to see her again in a place this size.

>> Well, there's the bungalow, we can go there, give her a chance to vamoose outta the place.

>> And leave Emmie?

>> We'll take Emmie with us.

You have the car around here by five.

I'll get her to pack.

>> I can't be ready by five.

>> No arguments, Ed.

We're doing as I say, and we're staying away until she's gone and don't go phoning her, Ed, make it a clean break.

Emmie, Emmie!

(suspenseful music) >> This one's dead easy, Monny.

>> Oh Emmie, for goodness sakes, stop sniveling.

I will not be crossed.

You're coming and that's all there is to it.

(Emmie crying) >> Teddy: Freda, Freda?

>> Shut up, Emmie!

What?

>> Just going out to get a paper.

>> All right, well, don't be long.

Now, buck up, Emmie.

You oughta be pleased going away for a nice holiday like this.

>> I can't sleep in a strange bed.

>> Well how do you know if you've never been in one?

>> I don't like the sea.

>> Well, you don't have to drink it.

>> It's not safe to leave the house, burglars!

>> Now, look, Mr. Bare will ring the police and tell them we're going away.

They'll put a policeman outside.

Now, nobody can get past the policeman.

(suspenseful music) >> Hello?

>> Teddy: Hello, Woodhill 72?

>> Yes, that's right.

>> Teddy: Is Mr. Edward Bare there?

>> Who, speak up please, I can't hear you very well.

>> Mr. Edward Bare.

It's Mr. Mortimer's office.

>> Oh, he's not here.

He just went out for a minute.

>> Oh, well will you tell him to phone as soon has he comes in please?

>> All right.

Goodbye.

Now then Emmie, let's get a move on.

>> When Madam took me to Canterbury, I was sick all over the car.

>> Well, you're older and wiser now and your stomach's a lot stronger.

>> It's all such a rush.

>> I've made up me mind, Emmie, so it's no use you going on nattering.

(man whistling) >> Hello!

>> What's wrong with Emmie?

>> Oh, she's got some silly idea she doesn't wanna come.

>> Well, before I go, if she doesn't wanna come, let her stay.

>> She's coming.

>> You are pigheaded, Freda.

I always knew that about you.

>> Ready, Emmie?

>> You haven't given Mr. Bare his message.

>> Oh, no, I forgot.

Mr. Mortimer phoned.

He wants to see you.

>> What about?

>> Oh, I don't know.

Some mumbling clerk with a cold got through.

I said you'd ring him back later.

>> Oh, forget it.

>> No, no, no, no, you'd better do it.

It might be important.

Now, Emmie, stop looking like a wet wig.

Pick up your bag and come on!

>> Birds'll fret their poor little hearts out.

>> Woodhill 68.

Mr. Mortimer there?

Mr. Bare.

Well, will you tell him it's very inconvenient but I'll be there.

Yes, without fail.

Right.

>> Oh, she's a stubborn- Here, what are you taking your coat off for?

>> We're not going.

>> What?

>> I've gotta see Phillip Mortimer.

>> When?

>> Tonight, nine o'clock.

>> Well, what does he want all of a sudden?

>> I don't know.

He said it was urgent.

He said he'd had a letter from Mrs. Macintosh.

That's Monny's sister, Dora.

I shall have to wait and see.

We'd better get Emmie out the car.

>> Get Emmie out of the car?

If you knew what I went through getting her into it.

>> Well, she can't sit out there till after nine o'clock, that's for cert.

>> We're not sitting anywhere 'til after nine o'clock.

We're off.

>> Without me?

>> Freda: You catch the 10 five.

I'll meet you at the station.

>> Look, I'll tell you what, I'll phone Phillip and put him off.

>> No, Ed.

Better wait here and get it cleared up, whatever it is.

I don't want you running backwards and forwards, holding Miss Young's hand.

That's why we're going away, to stop all that.

>> All right, I won't argue, Mrs. Bare.

(ominous music) I'll see you tonight.

Oh, what about the shrouds?

>> Oh, leave 'em.

They suit the place.

>> Mind how you go, Mrs. Bare.

Gently does it.

Mind how you go, Mrs. Bare.

Gently does it.

(suspenseful music) The rest's easy.

It's a pushover, Monny.

>> Mrs. Bare?

(bells ringing) Mrs. Bare?

(clock chiming) (woman gasping) (woman gasping) >> You left your bag in the car again.

>> Where's Mrs. Bare?

>> She's all right now.

Come in here first.

>> Where is she?

>> Well, we had a terrible row just after you left this morning.

>> Well, what happened?

You sounded desperate on the telephone.

>> She's hysterical, blind hysterical.

It's good to have a friend to call on, Charlotte.

I've got such a lot on my mind.

Do sit down.

I've had Monny on my mind lately too.

Do sit down.

Gotta unload to someone.

Been feeling apprehensive all day.

>> How, Edward?

>> I've had a sort of premonition.

>> Of what?

>> Someone's gonna die.

>> Where's Mrs. Bare?

>> Oh, she's all right.

I'm the one you've gotta worry about.

Do sit down.

See, I've gotta talk to someone or burst.

Someone who won't talk about it afterwards.

>> Surely you can trust me, Edward.

>> Well, where should I begin?

>> It's always best to start at the beginning.

>> Yes, well, it was the first time I ever came to this house.

Wasn't long before I moved in for good though.

I gave her value for money.

I made her laugh.

Taught her to appreciate fine old brandy.

Gave her something to live for, me and the drink.

Still, it caught up with her in the end.

If Monny hadn't got drunk and misled me, I- >> When did she mislead you?

>> It was that last day.

She kept talking about a will and Dora.

I thought she was gonna bring a sister back into the picture, but instead she was gonna cut her out altogether.

If Monny had made herself clear, she'd be alive today.

>> Edward, do you know what you're saying?

>> Of course I know what I'm saying.

I'm saying that I killed your sister, Dora.

This window, see this catch?

Monny had a phobia about burglars, had this comic lock fitted.

She taught me how to use it and I had to teach Fred.

But you picked that latch up, and went straight to it the first time.

Where do I powder my nose, you said?

Second on the right, I said, and you turned to the left where it is.

You cheapened yourself by pretending to fall in love with me.

Well, I know who I appeal to and who I don't!

Freda because she's my class and Monny because she was old and lonely.

What did you come here for?

What good did you think it would do?

>> I wasn't satisfied with the result of the inquest.

I've come here to put you where you can't harm anyone else.

>> Who do you think would believe you?

Everybody'd laugh in your face.

You're not worth bothering about.

Get back to Jamaica where you came from!

What are you listening for?

>> Mrs. Bare!

Where is Mrs. Bare?

Have you killed her too?

>> Teddy: Find her.

>> Dora: Mrs. Bare!

>> Teddy: Search the house, dig up the cellars.

She's gone, she's left!

You'll never see her again.

>> Where is she?

What have you done with her?

Get out of my way or I'll call the police!

>> Tell the police!

Tell them there's a killer on top of Sunset.

Tell 'em to come and get me.

I'll have a drink while I'm waiting.

Go on, what are you waiting for?

>> It's not like you, Edward.

Just calmly telling me to go.

There's something else at the back of that black mind of yours and I'm going to stay here until I find out what it is.

>> Get out of this house!

>> No.

>> Get out of this house.

>> No, all the time I'm here, I'm safe.

You can't afford another dead body in your drawing room, Edward.

>> All right, Dora, you ask asking for the fireworks and here they come.

>> You come one step nearer and I'll scream this place down.

>> Yes, but only once.

You should study human nature.

Chap hears a scream, listens, doesn't hear another one.

He walks on again.

>> Take care, Edward, I'm much tougher than I look.

>> If you're tougher than you look, why are you so frightened of me?

It's all right.

I was gonna get to finish my drink.

(Dora gasping) That's where your sister sat for the last time.

Go on, I'll give you one more chance.

Clear out while it's still your word against mine.

>> You can't frighten me, Edward.

The game's up.

I phoned Phillip Mortimer.

>> I could have saved you the trouble.

He's always in Canterbury on a Friday.

I expect you left a message.

It'll be a sweet thought when he finds your body where I intend to dump it.

>> It's not normal to have as much confidence as you have.

I wonder what you'd be like without it.

>> Go on, get out, run!

>> I'm not going to run because you want me to, and I'm not going to die because you want me to.

>> Get out!

>> I've been to Romford, Edward, and Acton.

I met your school master, the one you hated so.

I talked to him and now I know what an unbalanced mess you really are.

>> Romford?

Shut up.

>> At Acton, I talked to the small boy who lived next door to you, the one you tried to kill and very nearly did.

>> I didn't try to kill him.

>> That boy's grown up now and I know what really happened.

What a pity this didn't come out at the inquest.

>> Shut up, I won't listen!

>> Oh yes, you will.

I'm going to show you to yourself as you really are.

Drag out your rottenness and make you look at it!

>> Shut up, shut up, shut up!

>> Look at you!

Even if you escape the law, which is unlikely, you can never- >> Never escape myself.

I know it all.

There's not a doctor I can't beat at his own game.

I've had this whole psych routine for years and years and years and there's not one official mark against me, Dora, which is one reason why I can kill you now.

>> Well, hit me, Edward, hit me!

Nevermind the fingerprints on the poker, the blood on the carpet or how you're going to carry me out without being seen.

This isn't how you mean to do it, Edward.

You're bluffing again, trying to make me run.

Well I'm not gonna run!

I'm staying here where I am!

>> Get out, get out, get out!

(poker thuds) >> I've come across the world to see you like this, Edward, and now I know you won't go free.

(car creaking) >> Freda: All right, Emmie, all right now you go on up to bed.

You'll be better in the morning.

>> I'm ever so sorry, ma'am.

>> No, it was my fault, Emmie.

Now, go on.

I'll come up and see you in a minute.

Well, her stomach isn't any stronger.

We stopped to have tea to see if it would go off and instead she nearly passed out.

You again, Miss Young.

Funny sort of time to be visiting my house while I'm away.

>> I'm not Charlotte Young.

My name's Dora Macintosh.

Your husband Edward killed my sister.

>> Well, I've had some pretty funny welcomes in me time, but this just about takes the cake.

>> It's true, it's true.

He's a murderer.

>> Well, he looks pretty well on it.

Come off it, Miss Young.

I know Ed's a bad boy, but he isn't as bad as all that.

>> We must phone the police.

>> Not from here you don't!

>> Please let me use the telephone.

I can't leave you with him.

It's not safe!

>> That's for me to decide, now will kindly get out of my house?

>> Your bag, Miss Young.

>> Now then, Young Ed, I want an explanation.

(car rumbling) (Edward laughing) What's the game, Ed?

>> I've won!

Oh, I shall always laugh when I think of it.

I couldn't her to go.

I tried every way.

And then she went like a lamb for you.

>> I don't know what you're talking about?

>> She'll go over Sunrise Hill just like a bird, down, down, down into the valley.

>> Ed, you don't know what you're saying!

My God, you never touched her car.

>> I touched her car al right.

Hydraulic brakes, snip.

I cut the tube.

The oil ran out.

She's in a hurry, she couldn't stop.

>> Miss Young, Miss Young!

Ed, you don't know what you've done.

>> I know what I've done.

I've got my money.

Any questions, Mrs. Bare.

I don't mind you know everything.

After all, a wife can't be compelled to give evidence against her husband, can she?

>> I don't wanna know anymore.

>> And I've gotta make sure you don't stick, haven't I?

Don't want you hanging around my neck now that I've Monny's money.

Listen, I killed Monny and I killed her sister.

I'm a ruthless cold-blooded killer and I did it for a game.

(Teddy laughing) What's the matter, Phillip?

Been an accident?

>> Something that was thought to be an accident, Edward, but it was murder.

I'm going to phone the police.

>> Freda, you too- How long have they been here, Freda?

>> Long enough.

Mr. Mortimer stopped me in the drive.

>> I'm dreaming.

>> You'll wake up in prison, Edward.

Broadmoor, if you're lucky.

>> Broadmoor?

Monny, Monny, Monny, tell me what to do.

I didn't mean it, Monny I didn't mean it!

(Teddy sobbing) >> Pull yourself together, Ed!

Mr. Mortimer, get him a drink.

Ed, Ed.

>> Brain's still working, Freda.

Thanks.

(dramatic music) >> Ed!

(engine roaring) >> Edward!

(Teddy laughing) >> I've done it, Monny, I've done it.

(suspenseful music) (car clattering) (explosion booms) (fire crackling) >> I'm sorry, Mrs. Bare.

>> The only time in my life my heart ruled my head.

Emmie, Emmie?

Emmie, Emmie?

(eerie music) (dramatic music)