
Appraisal: 1968 Anni Albers "A" Screenprint
Clip: Season 30 Episode 13 | 2m 18sVideo has Closed Captions
Appraisal: 1968 Anni Albers "A" Screenprint
Check out Meredith Hilferty's appraisal of a 1968 Anni Albers "A" screenprint in Grant's Farm, Hour 1.
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Problems playing video? | Closed Captioning Feedback
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Appraisal: 1968 Anni Albers "A" Screenprint
Clip: Season 30 Episode 13 | 2m 18sVideo has Closed Captions
Check out Meredith Hilferty's appraisal of a 1968 Anni Albers "A" screenprint in Grant's Farm, Hour 1.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: Uh, this is a print from Anni Albers, a Bauhaus and Black Mountain artist.
I got it from a, a gallery in 2005, 2006.
I'd always been kind of collecting smaller-scale art, and this was the first thing of, I guess, notability that I purchased.
APPRAISER: And could you give us an idea of what you may have paid at the time?
GUEST: I want to say approximately $2,500.
I grew up in Asheville, North Carolina, which is in the shadow of Black Mountain.
APPRAISER: Mm.
GUEST: And so I've always been fascinated with all the artists there, from Anni Albers to her husband, Josef Albers, and Rauschenberg and the other artists that were in that community.
APPRAISER: Anni Albers was born in Berlin in 1899, and she studied at the Bauhaus starting in 1922.
She mostly studied weaving while she was there, and then ultimately became part of their faculty in 1929.
She did come to the United States with her husband, Josef Albers, who also is a very well-known 20th-century artist.
And they founded the art department at Black Mountain College.
GUEST: Mm.
APPRAISER: I believe that was in 1933.
GUEST: Hm.
APPRAISER: She really was known for design at the start.
She was actually the first designer to receive a solo exhibition at the Museum of Modern Art, and that was in 1949.
GUEST: Hm.
APPRAISER: By 1963, I believe, she was moving almost exclusively to printmaking.
GUEST: Mm-hmm.
APPRAISER: So she really delved into screen prints.
And this is a screen print on paper.
We do have a signature and a date in the lower right, "Anni Albers, 1968."
GUEST: Mm-hmm.
APPRAISER: This is 26 of 50, and there's an "A" just before that.
I actually believe "A" is the title of this work.
GUEST: Okay.
APPRAISER: She's become one of the most important women artists of the 20th century.
GUEST: Mm-hmm.
APPRAISER: One of the most important artists of the 20th century.
GUEST: Mm.
APPRAISER: She's absolutely one of my favorites.
Her work has become quite desirable.
GUEST: Mm-hmm.
APPRAISER: I would say her market has taken off quite a bit since you purchased this work.
GUEST: Okay.
APPRAISER: Her works are quite rare.
This is only an edition of 50.
GUEST: Yes.
APPRAISER: So there's not a lot of them out there.
So given all of that, I would give a current auction estimate on this screen print at $6,000 to $8,000.
GUEST: Oh, cool!
That's awesome!
APPRAISER: I would recommend an insurance value of $10,000.
GUEST: Awesome, that's great.
Appraisal: 1799 George Washington-signed Letter
Video has Closed Captions
Clip: S30 Ep13 | 2m 21s | Appraisal: 1799 George Washington-signed Letter (2m 21s)
Appraisal: 1904 Painted Mnemonic Banner for Schnitzelbank Song
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Clip: S30 Ep13 | 3m 30s | Appraisal: 1904 Painted Mnemonic Banner for Schnitzelbank Song (3m 30s)
Appraisal: 1915 Union Printers National Baseball League Trophy
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Clip: S30 Ep13 | 3m 19s | Appraisal: 1915 Union Printers National Baseball League Trophy (3m 19s)
Appraisal: 1933 Goudey Baseball Card Set 239/240
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Clip: S30 Ep13 | 4m 29s | Appraisal: 1933 Goudey Baseball Card Set 239/240 (4m 29s)
Appraisal: Andrew Clemens Sand Art Bottle, ca. 1885
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Clip: S30 Ep13 | 3m 11s | Appraisal: Andrew Clemens Sand Art Bottle, ca. 1885 (3m 11s)
Appraisal: Edwardian Sapphire & Diamond Ring, ca. 1905
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Clip: S30 Ep13 | 1m 39s | Appraisal: Edwardian Sapphire & Diamond Ring, ca. 1905 (1m 39s)
Appraisal: Hair Pictorial Memorial, ca. 1895
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Clip: S30 Ep13 | 2m 37s | Appraisal: Hair Pictorial Memorial, ca. 1895 (2m 37s)
Appraisal: Joan Miró Pencil on Paper, ca. 1965
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Clip: S30 Ep13 | 3m 16s | Appraisal: Joan Miró Pencil on Paper, ca. 1965 (3m 16s)
Appraisal: Lenci Felted Wool Clutch & Beret, ca. 1927
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Clip: S30 Ep13 | 2m 55s | Appraisal: Lenci Felted Wool Clutch & Beret, ca. 1927 (2m 55s)
Appraisal: Lucille Ball Backgammon Game & Signed Photo, ca. 1970
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Clip: S30 Ep13 | 2m 39s | Appraisal: Lucille Ball Backgammon Game & Signed Photo, ca. 1970 (2m 39s)
Appraisal: Navajo Woman's Wearing Blanket, ca. 1865
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Clip: S30 Ep13 | 3m 3s | Appraisal: Navajo Woman's Wearing Blanket, ca. 1865 (3m 3s)
Appraisal: Three Stooges-signed Photo, ca. 1950
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Clip: S30 Ep13 | 2m 57s | Appraisal: Three Stooges-signed Photo, ca. 1950 (2m 57s)
Appraisal: WWII OSS Stiletto with "Pancake Flipper" Sheath
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Clip: S30 Ep13 | 2m 40s | Appraisal: WWII OSS Stiletto with "Pancake Flipper" Sheath (2m 40s)
Appraisal: Yonezawa Atom-Car Racer with Box, ca. 1955
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Clip: S30 Ep13 | 3m 12s | Appraisal: Yonezawa Atom-Car Racer with Box, ca. 1955 (3m 12s)
Video has Closed Captions
Preview: S30 Ep13 | 30s | Preview: Grant's Farm, Hour 1 (30s)
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